In an attempt to become the absolute citizen, Martin John Callanan will continually and openly publish his physical location live.
I am contactable, and I am findable, in the digital world. It is easy to find me, write to me, work with me, and speak to me. However, people have trouble meeting the physical me, in the physical world. I have become so findable and so contactable: I hide. Perhaps not purposely, more though the perception I do not need to be physically present, because I feel present already. By becoming findable - to anyone, anywhere - in the physical world, I can participate fully and with anyone: I become the absolute citizen. I become a citizen of both the physical and digital worlds, coexisting as one (the same device that makes me visible and findable, allows continuous instant connection (communication - via any digital means); I cannot hide (and I become vulnerable).
“At the seashore, between the land of atoms and the sea of bits, we are now facing the challenge of reconciling our dual citizenship in the physical and digital worlds.” Hiroshi Ishii, MIT Media Lab

This is a world where people live online – working and communicating; inhabiting online spaces – in a state of continuous connectivity, everything is done via the Internet.

We are now at the dawning of the age of ubiquitous computing. When computers are starting, no longer, to be the box on the desk or the slab warming our legs. The computer as an artefact will disappear. As they become embedded and ambient, our interaction with will become more invisible; more human. We will become more human. (We are not there yet). But as yet, the people who will be most affected by it, the overwhelming majority of whom are non-technical, non-specialist, ordinary citizens of the developed world, barely know it even exists (is even possible).

A mobile phone can be switched off or left [forgotten] at home. A computer can be shut down, unplugged, and walked away from. Yet, this coming ambient, ubiquitous technology will be capable of insinuating itself into all the apertures everyday life affords it. An environment will be formed in a way that current technology cannot possibly ever create.

I am contactable, and I am findable, in the digital world. It is easy to find me, write to me, work with me, and speak to me. However, people have trouble meeting the physical me, in the physical world. I have become so findable and so contactable: I hide. Perhaps not purposely, more though the perception I do not need to be physically present, because I feel present already.
Addressing the imbalance

I will use an off-the-shelf smartphone, on a standard service plan with a major telecoms service provider. Combined (via a custom server application) with an open-source geo-mapping application; I will publish constantly, live, my exact physical geographical location to a distance of within three meters (talking distance). I am presenting myself with the option of trading away access to the most intimate details of my movements in return for increased convenience.

By becoming findable – to anyone, anywhere – in the physical world, I can participate fully and with anyone: I become the absolute citizen.

I become a citizen of both the physical and digital worlds, coexisting as one (the same device that makes me visible and findable, allows continuous instant connection – communication – via any digital means); I cannot hide (and I become vulnerable).
Video Documentation from December 2007
Commissioned by Riga Centre for New Media Culture RIXC, Latvia
Funded by the European Commission Culture 2000 Fund via At Home in Europe with support from ISIS, InterSpace, Bek, and Arts Council England
Additional support from SCEMFA

Notes on Location of I

  • What Is Internet Art Actually Doing? On Omar Kholeif’s “Internet_Art”

    Cal Revely-Calder finds much to appreciate, and more to decry, in Omar Kholeif’s “Internet_Art: From the Birth of the Web to the Rise of NFTs.” That’s exactly what we’ve done. As Natasha Stagg has put it: “[E]very person becomes an avatar in the mind once our main interactions with them are via social media feeds.” […]

  • Art and the Internet, Joanne McNeill and Domenico Quaranta

    Location of I and I Wanted to See All the News From Today featured in the forthcoming book Art and the Internet by Joanne McNeill and Domenico Quaranta. Art and the Internet is a much-needed visual survey of art influenced by, situated on, and taking the subject of the internet over the last two and […]

  • Bridging Boundaries: Where Physical meets Virtual (2011)

    Bridging Boundaries: Where Physical meets Virtual (2011) Rhizome Curated Exhibition by fforster As technology advances, the idea of the virtual and physical worlds being separate entities is becoming indistinct. This exhibition challenges the concepts of the two worlds and displays six pieces of art that cross these increasingly blurred boundaries. While Chris Sugrue’s ‘Delicate Boundaries’ […]

  • The Achive of Digital Art (Database of Virtual Art)

    Five works accessioned to The Achive of Digital Art (Database of Virtual Art) documents the rapidly evolving field of digital installation art. This complex, research-oriented overview of immersive, interactive, telematic and genetic art has been developed in cooperation with established media artists, researchers and institutions. The web-based, cost-free instrument – appropriate to the needs of […]

  • The World in 100 Years (Location of I)

    The World in 100 Years Ars Electronica Center, Linz, Austria June 16th – September 19th 2010 “Everyone will have his own pocket telephone that will enable him to get in touch with anyone he wishes. People living in the Wireless Age will be able to go everywhere with their transceivers, which they will be able […]

  • ??????? ??????? „????? ?????“ (Location of I)

    05.07.2010. u 19 ?asova u Muzeju nauke i tehnike u Beogradu Projekat „Rizom grada“ predstavlja estetizaciju digitalnog uobli?avanja prostorne mreže kulturnog identiteta grada Beograda. Autori i u?esnici projekta istražuju i prikazuju urbani identitet kroz subjektivno poimanje strukture grada. Stvaranjem individualnog ose?aja prostora, na odre?enim kulturološkim punktovima u Beogradu, umetnici transformišu urbane pejzaže u splet umetni?kih, […]

  • Lab for Culture: At Home in Europe overview

    WHAT IS THE MAIN IDEA OF THE PROJECT AND WHO IS THE TARGET GROUP? WHAT DOES THE PROJECT INCLUDE? WHAT IS THE REASON FOR THE COLLABORATION WITH EACH PARTNER? HOW IS THE PROJECT FINANCED? WHAT IS THE MAIN IDEA OF THE PROJECT AND WHO IS THE TARGET GROUP? “The project invites selected artists to think […]

  • Instituto Sergio Motta, Fórum A&T, Entrevista com Susan Collins

    A artista e professora britânica Susan Collins é uma das palestrantes do Fórum Internacional A&T_Perspectivas Críticas em Arte e Tecnologia. Collins é uma das principais artistas da Inglaterra a trabalhar em novas mídias. É diretora do The Slade School of Fine Art, University College, Londres. Seus trabalhos se dão no espaço público, galerias de arte […]

  • 865,000 unique vistors for Location of I

    865,000 unique people have visited Location of I since January 2007.

  • Location of I on Google Earth

    Fabian Neuhaus at UCL CASA plotted the first year’s worth of Location of I data into Google Earth, view online here

  • Migrating Reality

    Location of I text published in Migrating Reality Migrating Reality ISBN 978-9955-834-01-4 Electronic and digital systems generate completely new forms of migration. In the creative arts, new phenomena related to migration and the synergies of disparate systems are emerging. Artistic products evolve from traditional forms into hybrid digital forms. Analog products are being digitized; data spaces […]

  • Location of I on course curriculum at Penn State University

    Art 211 provides art students with an introduction to the critical study of new media and digital art works and to the cultural and social issues that influence how audiences perceive, interact with, and are influenced by them. The development of students’ critical thinking through class, activities, discussions, and course projects is given particular emphasis. […]

  • Virtual Residency – Publication

    Just received in the post: the publication from exhibition last year in Germany. The premiere of Location of I. ISBN: 978-3-9812208-0-3

  • Location of I – technical update

    Location of I has now been live for 18 months; updating every minute of everyday. The original devices have faded and died. Being replaced by a new smartphone: less than half the thickness of the original, also has a built-in GPS receiver; which was only a promise last year.

  • At Home In Europe – Publication and DVD

    The residency last year in Latvia was part of At Home In Europe, the 185 page publication and 2 DVD is now out. Features text about all four artist’s work. Includes my article An Ethnology of Solitude. ISBN 9780955431715

  • The Watchful Eye – Surveillance in the World Around Us

    Logan Turner included Location of I in The Watchful Eye: This collection of art works focuses on the theme of surveillance/being watched. More and more these days, our governments know where we are, what we’re doing, and sometimes even what we’re planning to do. As curator, I feel that being under nearly constant watch is […]

  • Seeking for another space

    Natsumi Oba, included Location of I in Seeking for another space Ever since Internet has been expanded, people have started identifying themselves in this virtual world. They have created another social space in order for these identities to interact. The artists in this exhibition take elements of the physical world that users can relate to […]

  • Balsas: aktualios ir medij? kult?ros žurnalas

    Journal on Media Culture Balsas publish Location of I and An Ethnology of Solitude: BALSAS is an interdisciplinary journal on media culture. BALSAS started as an initiative of VILMA (Vilnius Laboratory of New Media), which goal is to introduce the media culture to Lithuania. BALSAS wears a format of new media, whereas content is created […]

  • Aerial View

    Aerial View, curated by Phuong: In the Location of I, artist Martin John Callanan gives himself up for public viewing. He enables viewers to find him at any moment in time through a use of a tracking device that pinpoints his exact location through a series of maps. This form of observation allows Callanan to […]

  • Location of I, video capture of one day’s movements

    Location of I (3 December 2007) from Martin John Callanan on Vimeo. Time-lapse capture between 16:00 and 24:59 on 3 December 2007 Video capture thanks to Rusty and courtesy of ISIS Arts. Commissioned by Riga Centre for New Media Culture RIXC, Latvia Funded by the European Commission Culture 2000 Fund via At Home in Europe […]

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